Today I'd like to share with you a card made with Sheena Douglass' Paint Fusion "Ivy" set.
I started by heat embossing the ivy spray in black on to confetti cream card stock. Then, I heat embossed two extra large leaves and two extra small leaves.
To color, I misted the leaves very lightly with water, and then applied ink with a watercolor brush. I kept the palette mainly to autumnal tones of oranges, rusts, and red. When dry, I cut out the extra leaves. I used gold Smooch to add some shiny highlights. Once colored, I think the leaves look like autumn maple leaves, not ivy. I love versatility like that in a set!
The greeting is from another great set from Sheena, "Milestones and Moments". I used a circle die cut to cut the greeting, dry emboss it, and layer it on to a larger black circle. This was then glued to the card front to the right of the ivy spray. I then layered this on to a rust mat, and then on to a cream A2 top-folded card base.
The final touch was positioning the extra cut out leaves with dimensionals. Be sure to overlap the leaves on to the greeting circle for cohesion. I am really pleased with how it turned out; it was fairly quick and easy; and it's the perfect autumn card for any number of occasions.
We stamp. We talk. We laugh. But my son says we are the "cackling stamping ladies"!
Welcome!
Welcome to my blog. Over the years that I have been stamping and paper crafting, I have so often been inspired by the ideas on other sites and blogs. I hope I can pay that back in some measure with my own. (In between laughs -- or cackles as my son calls it!)
October 14, 2012
October 7, 2012
Distressed Destination
I loved this Destination image from Sheena's A Little Bit Sketchy line ever since I saw the beautiful cards that stampin' sister and fellow design team member Trena was making with it this summer. To make it my own, I did heavier distressing and added twine and beads.
A little back story. I have a colleague, Kate, at work who has been working on a major project for about 18 months. Tonight, we deploy. (In fact I'm writing this as we wait at 2:00 am for the OK from IT to go in and test it and give the final green light.) Throughout the whole time, she kept focus despite all the windstorms that threatened to throw the project ship off course. I thought this card was destined for her.
First I stamped the image in black on to white card stock. I used walnut ink (you dissolve the crystals in water; more water gives a less intense brown) to heavily sponge the edges. Since it is a liquid, it tends to soak in and spread, giving a more saturated, vintage feel. I then used my Spectrum Noir alcohol markers to shade pale grey on the sails, and tan on the land where the walnut stain hadn't hit. A touch of grey-blue defined the ocean shore.
I distressed the edges and layered it on to a white mat, also distressed. Because the walnut ink was so dark, I wanted the white for a bright contrast. This was then mounted on a side-fold A2 tan card base.
To finish it off, I added twine around the left fold, and beads, including some rolled paper beads that I made from scraps cut into long thin triangle shapes. (Yes, I save my scraps, LOL). I frayed the edges of the twine, and it was done!
A little back story. I have a colleague, Kate, at work who has been working on a major project for about 18 months. Tonight, we deploy. (In fact I'm writing this as we wait at 2:00 am for the OK from IT to go in and test it and give the final green light.) Throughout the whole time, she kept focus despite all the windstorms that threatened to throw the project ship off course. I thought this card was destined for her.
First I stamped the image in black on to white card stock. I used walnut ink (you dissolve the crystals in water; more water gives a less intense brown) to heavily sponge the edges. Since it is a liquid, it tends to soak in and spread, giving a more saturated, vintage feel. I then used my Spectrum Noir alcohol markers to shade pale grey on the sails, and tan on the land where the walnut stain hadn't hit. A touch of grey-blue defined the ocean shore.I distressed the edges and layered it on to a white mat, also distressed. Because the walnut ink was so dark, I wanted the white for a bright contrast. This was then mounted on a side-fold A2 tan card base.
To finish it off, I added twine around the left fold, and beads, including some rolled paper beads that I made from scraps cut into long thin triangle shapes. (Yes, I save my scraps, LOL). I frayed the edges of the twine, and it was done!
September 30, 2012
Faith Bird at Dawn
Today I am using the Faith Bird image from the lovely Stamp-It Discovery collection. And I decided to use it along with the watercolor background technique that I shared last week.
My first step was to heat emboss the bird image onto a watercolor background, to simulate dawn as the beautiful words reference. I used detail black embossing powder. Can I tell you a story about the background? I was stamping with friends a few weeks ago and we were all trying our hand at the watercolor technique. One of the ladies, Carol, was frustrated and thought that hers did not turn out well. She threw it away. Well, being as frugal as I am, I fished it out of the trash can and said, at least some flowers or leaves could be punched from it.
Anyway, it sat on my craft table a few weeks. Part of it had very nice color -- and the faith bird image is not that large -- so I used it! I love how it turned out. And I did use the sections where the color was not as nice to punch the accent leaves! So the moral is, never throw anything away, LOL!
I then used my oval die cut to cut the image. On a quarter sheet of moss green card stock, I used the Darice Leafy Branch embossing folder for more background texture. (Have you seen all embossing folders that Crafter's Companion carries now? They have some amazing square sizes too!) The oval image was adhered to the moss green background, and then on to a black mat, and finally on to a folded A2 cream card base. You may have noticed that I use black mats a lot -- I think they really give great contrast and set off a design.
The final touch was to punch leaves from the watercolored 'discard' paper and arrange them in a gently falling pattern. The hardest part of this card was getting those random falling leaves "just so"! Hope you enjoyed this, and see you next week.
September 23, 2012
Pine Tree and Watercolor Sky
Can I tell you how much I love this asymmetrical pine tree image from Sheena Douglass' Pinescapes set? It is bold, yet has enough open space to let backgrounds shine through. Plus, it can really stand on its own for clean and simple cards.
I started with watercolor paper, and spritzed it with water to get it wet. I then used an aqua pen and reinker drops to add the colors, working from the bottom up with tan, green, lavender, pink and blue.
If your colors aren't "runny" enough, squeeze the aqua pen for more water; if too runny you may need to blot it. My paper was pretty soggy when I was done. I let it dry overnight.
The next step was to use Versamark ink and black embossing powder and heat emboss the pine tree image.
Then, this was layered on to a black mat and then on to a folded A2 moss green card base.
That's it! No ribbon, no embellishments, no glitter (ack!). Just let the image and the colors in the background do the talking. When I know what occasion it'll be used for, I'll probably add a small greeting in the bottom right corner.
I started with watercolor paper, and spritzed it with water to get it wet. I then used an aqua pen and reinker drops to add the colors, working from the bottom up with tan, green, lavender, pink and blue.
If your colors aren't "runny" enough, squeeze the aqua pen for more water; if too runny you may need to blot it. My paper was pretty soggy when I was done. I let it dry overnight.
The next step was to use Versamark ink and black embossing powder and heat emboss the pine tree image.
Then, this was layered on to a black mat and then on to a folded A2 moss green card base.
That's it! No ribbon, no embellishments, no glitter (ack!). Just let the image and the colors in the background do the talking. When I know what occasion it'll be used for, I'll probably add a small greeting in the bottom right corner.
September 19, 2012
Shimmery Butterflies and Other Cards
Had fun on Friday night at hostess club with my SU! demo, Jo
Bengtsen, and all the lovely, chatty ladies in the club. Here are the
lovely cards we made.
I especially loved the watercolor background on the butterfly card. Here's a closer look at it. Was thinking how stunning this would be done in autumn watercolors, with falling leaves in place of the butterflies.
We spritzed shimmer paper with water to moisten it, and then used a water pen to drop reinker for the "runny" effect. Everyone's turned out differently -- but they were all lovely.
I think next time, I'll emboss the greeting so that it stands out a bit more, and I need to practice my "doodle trail" for the butterflies path.
I especially loved the watercolor background on the butterfly card. Here's a closer look at it. Was thinking how stunning this would be done in autumn watercolors, with falling leaves in place of the butterflies.
We spritzed shimmer paper with water to moisten it, and then used a water pen to drop reinker for the "runny" effect. Everyone's turned out differently -- but they were all lovely.
I think next time, I'll emboss the greeting so that it stands out a bit more, and I need to practice my "doodle trail" for the butterflies path.
September 16, 2012
Patchwork Snowman
Remember last week I did a quilted background for my stocking buddies card? Well, I had so much fun with the quilting that I decided to use that technique again this week. Except for this card, which uses Sheena's A Little Bit Festive "Happy Snowman" set, the quilt is the sky.
I started by making the quilted sky. I chose various shades of blue, and used a 3/4 inch punch so that I could get smaller squares for more variation in design. There's no discernible pattern here, just lots of blue paper arranged somewhat randomly. I trimmed the quilt layer down and mounted it on a black mat, which then was layered on to a folded A2 card base in a saffron yellow.
Next, I stamped the snowman image in black ink onto white card stock, and colored it with my Spectrum Noir alcohol markers. I stamped the 'Let it Snow' greeting along the bottom. Then, I cut out the image and liberally applied fine glitter to the rooftops and the snowman. I love winter scenes, they are a perfect excuse for glitter. :-)
I was going to glue it on top of the quilted sky. But it didn't look right, the image faded away with the busy-ness of the quilt. Hmmmm, what to do for a rescue?
What the card needed was a visual separation of sorts. I dug out some white mulberry paper and did a guided tear along the line of the rooftops and the snowman. Much better! I mounted this with dimensionals for a bit of a 3D effect.
Final touches were small black dew drops for the buttons and eyes, and blue dew drops that are supposed to be snowflakes, in the sky. Here's a closer look.
Hope you enjoyed it! Have you started your Christmas cards yet?
I started by making the quilted sky. I chose various shades of blue, and used a 3/4 inch punch so that I could get smaller squares for more variation in design. There's no discernible pattern here, just lots of blue paper arranged somewhat randomly. I trimmed the quilt layer down and mounted it on a black mat, which then was layered on to a folded A2 card base in a saffron yellow.
Next, I stamped the snowman image in black ink onto white card stock, and colored it with my Spectrum Noir alcohol markers. I stamped the 'Let it Snow' greeting along the bottom. Then, I cut out the image and liberally applied fine glitter to the rooftops and the snowman. I love winter scenes, they are a perfect excuse for glitter. :-)
I was going to glue it on top of the quilted sky. But it didn't look right, the image faded away with the busy-ness of the quilt. Hmmmm, what to do for a rescue?
What the card needed was a visual separation of sorts. I dug out some white mulberry paper and did a guided tear along the line of the rooftops and the snowman. Much better! I mounted this with dimensionals for a bit of a 3D effect.
Final touches were small black dew drops for the buttons and eyes, and blue dew drops that are supposed to be snowflakes, in the sky. Here's a closer look.
Hope you enjoyed it! Have you started your Christmas cards yet?
September 9, 2012
Quilted Stocking Buddies
You know how sometimes the image itself dictates the design? That's what happened with me and the "Waiting for Santa" stocking image from the new Strawberry Kisses Christmas line. The stocking looked quilted and homespun, so I decided to go with a quilted background and carry that feeling throughout the card.
Quilted backgrounds are nothing more than pieced paper, and are a lot of fun to do. Also they are great to use up paper scraps, or paper that is a little bit out of style. Years ago I had bought a huge slab of Christmas designer paper and still had most of it left. So I dug in and punched one inch squares from four coordinating papers. The plus side is that it makes you feel very virtuous to be using up those old supplies! (Tip: you can cut the squares on your cutter, but it sure is faster and more consistent to use a square punch.)
You can Google quilt designs for pattern ideas. This one is fairly simple, using squares and triangles. Time saving tip -- you really only have to "quilt" the edges because the middle usually gets covered up. A mixture of patterns and solids usually works well. I ran the solid squares through my trusty Swiss Dot embossing folder for texture. Then just start gluing down on the mat layer (in my case burgundy), starting 1/8" away from both corner edges and working square to square The quilted layer was then adhered to a 5.5 inch top folded white card base.
Final touches were applying tulip snow for the fur on the stocking, and faux-sewing 4 buttons and using glue dots to adhere -- three in the upper left and one on the greeting (which I scanned and shrunk to fit my small oval punch). I deliberately used white buttons and white thread because although I wanted the homespun feel and added interest, I didn't want all those buttons to compete with the focal point or even the background.
I used a fifth coordinating designer paper to make the envelope. It is so easy to make custom-sized envelopes with the Envelobox Creator. For an envelope to fit my 5.5 inch square card, I started with an 8.25 square piece of paper and scored at row G on all sides. That was it! Another great way to whittle down that slab of paper, and it removes the reluctance that I used to have to make these large square cards, for fear that I didn't have an envelope to fit.
Hope you enjoyed today's card!
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